
01 / THE FIELD
The work is not fixed.
Turn a fragment. Move it beside another. Each adjacency makes a temporary image—one composition among many possible compositions.
Tap a tile, then another to exchange them. Use the arrows to rotate.
02 / FRAGMENTS
Emulsion as membrane.
Mordançage turns the photographic surface unstable. The image lifts, folds, veils and breaks—then returns in another form.





03 / ARRANGEMENTS
Parts become propositions.



ABOUT
Susanna Pershern is a photographic artist working with mordançage and modular image-making. Her practice treats photographic emulsion as a mutable membrane—something that can lift, veil, fracture, rotate and return in new configurations. Her work is held in the collections of the Cincinnati Art Museum and the Smithsonian Institution, as well as private collections. Orphic Drift gathers these works as an evolving field rather than a fixed sequence.
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