SUSANNA PERSHERN
Orphic Drift
A modular field of mordançage works arranged on a studio wall

ANALOGUE MORDANÇAGE

THE PURSUIT
OF BLUE

Enter the field

01 / ORPHIC DRIFT

The work is still becoming.

These photographs were made by hand in a darkroom on the coast of Maine. Mordançage is an analogue laboratory process that transforms a silver gelatin photograph through chemistry. The surface of the image loosens, lifts and folds while a chemical formula changes the silver image into an array of blues, browns and grays, all left as a physical trace of the photographic process.

Tap a tile, then another to exchange them. Use the arrows to rotate.

02 / FRAGMENTS

Emulsion as membrane.

Mordançage turns the photographic surface unstable. The image lifts, folds, veils and breaks—then returns in another form.

Work note

The subject has disappeared. What remains is pure abstraction, made from light alone. Its color, graining and patina belong to the physical surface of the print.

03 / ARRANGEMENTS

Prints become possibilities.

Six-part mordançage arrangement
Arrangement 1
Layered modular mordançage field
Arrangement 2
Circular four-part mordançage arrangement
Arrangement 3

04 / LUNAR CAUSTIC

The shoreline

The seafans are tiny equivalents, occupying the space between representation and abstraction. Underwater, they wave in the currents. In the rinse bath, water lifts the emulsion into its own unpredictable forms.

05 / LITTLE SEA FANS

The emulsion has a mind of its own.

Little Sea Fan 006, a pale blue circular sea fan held by a dark emulsion veil
006
Little Sea Fan 013, a detailed circular sea fan crossed by translucent folds
013
Little Sea Fan 021, a blue circular sea fan opening into a pale field
021
Little Sea Fan 024, a deep blue circle enclosed by a dark lifted edge
024
Little Sea Fan 025, branching detail inside a pale blue circle and veil
025
Little Sea Fan 027, a luminous sea fan circle edged in layered blue
027
Little Sea Fan 029, a dark blue circular field with branching traces
029
Little Sea Fan 031, sea fan detail suspended inside an engulfing blue field
031
Little Sea Fan 032, a fractured sea fan circle inside a dark irregular veil
032
Work note

On 3 × 3 inch Ilford Warmtone Glossy paper, the sea fan passes through different developers and toners, then dépouillement.

06 / ZEBRAS

Images creating currents.

Thirty-two branching fragments move between recognition and pattern.

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Work note

The seafan becomes a matrix for the pursuit of color, chemical transformation and recombination. Released from the single circle, its branching image repeats, breaks and reforms across the field.

07 / PORTALS AND PANELS

Coming soon.

ABOUT

Susanna Pershern is an analogue photographic artist working with mordançage and modular image-making. Her practice treats photographic emulsion as a mutable membrane—something that can lift, veil, fracture, rotate and return in new configurations. Her work is held in the collections of the Cincinnati Art Museum and the Smithsonian Institution, as well as private collections. The Pursuit of Blue brings together distinct bodies of work, including Orphic Drift and the silver-gelatin prints of Lunar Caustic.

Visit orphicdrift.com